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Regency’s Village Theatre, Westwood

Regency’s Village Theatre, Westwood

Architect: Percy P. Lewis

First Opened: 14th August 1931 (93 years ago)

Reopened after remodeling: 18th October 1951

Former Names: Fox Westwood Village, Fox Village Theatre

Website: regencymovies.com Open website in new window

Telephone: (310) 208-5576 Call (310) 208-5576

Address: 961 Broxton Ave. Los Angeles, CA 90024 Show address in Google Maps (new window)


First opened in August 1931, the Fox Westwood Theatre is one of only a few movie theatres in Los Angeles which can lay claim to having been a first-run movie theatre for its entire life. Today, it is a popular choice for movie premieres and cinephiles alike.

Featured Photos

Detailed Information

The theatre was built as part of the-then new Westwood Village, a purpose-built retail, leisure, and residential development constructed in 1929 on Los Angeles’ westside just south of the University of California, Los Angeles (UCLA) Link opens in new window campus. Westwood Village was the second such purpose-built district to be built in U.S. history and was planned by the Janss Corporation.

Auditorium in 1931
Auditorium in 1931

The 1,489-seat theatre opened on 14th August 1931 with Politics (1931) Link opens in new window starring Marie Dressler, and was operated by the Fox West Coast Theatres chain.

In common with many Fox West Coast theatres of the time, the theatre was designed in a Spanish Mission style. Interior decoration was by the Robert E. Power Studios of Los Angeles, following a plan by L.A.-based architect P.P. Lewis. The Henry I. Beller Construction Company was the general contractor.

Reports around the theatre’s opening noted that UCLA’s influence extended to including a group of university co-eds in classical dance formation on the title curtain, and school sports being featured on the fire/safety curtain.

The theatre’s defining feature is its iconic 170ft (52m) white Spanish “wedding cake” tower. At the top of the tower is a blue and originally gold (the UCLA colors) - now faded metal Art Deco FOX sign, renovated in the late 1980s and which lights up the top of the tower to this day. Just over halfway up the tower are winged lion sculptures (griffins) which sit at the base of projecting columns of the Ionic order.

At the base of the tower, just above the entrance, is a blue and gold sign which bears the legend “Fox Westwood Village”. By night the elegant white tower literally becomes a beacon with its signs and the shaft of the tower illuminated. Enhancing the theatre’s history, original sculpted griffins still sit atop the theatre’s exterior walls.

The theatre’s 170ft (52m) iconic wedding cake tower
The theatre’s 170ft (52m) iconic wedding cake tower

The auditorium was built with organ chambers, however to date no records have been found of an organ having been installed in the theatre.

The stagehouse was minimal and unable to host vaudeville performances beyond “in One” skits at the front of the stage. Backstage, to this day, has minimal height beyond the height of the proscenium arch framing the movie screen, and minimal wing space.

At its opening it was noted that the theatre’s lobby was “not a pretentious, high hallway, bespattered with golden plaster globules” and instead was reported to be a long, low room with a gracefully vaulted ceiling. Aside from modern paint, the comment holds true to this day.

Fox West Coast Theatres entered into bankruptcy in late 1933 and the theatre chain was sold to the National Theatres Corporation, led by Charles P. Skouras, one of the immigrant Skouras Brothers who came to the U.S. from Greece and who would ultimately make their fortune in the Hollywood movie industry.

Auditorium in 2022
Auditorium in 2022

In 1951 the theatre was Skouras-ized; remodeled in a modern design as happened to many – if not all – Fox theatres on the U.S. West Coast. The style is best described as “Art Moderne meets Streamline”, utilizing a mix of heavy Art Deco and light Rococo forms of gilded ornamentation, with monumental ornament and heavy use of swags and drapery.

Skouras’ designer Carl G. Moeller gave the Fox a more modern, attractive theme at a time when movie theatres were battling against television to attract viewers. The newly-decorated Fox reopened in mid-October 1951 with an increased seating capacity of 1,535.

Operation of the theatre changed over to Mann Theatres in 1973 when Ted Mann purchased the theatre division of National General Corporation. Five years later, for The Deer Hunter (1978) Link opens in new window, the theatre got new 70mm projection equipment, a new and larger screen, and a new main title waterfall (Austrian drape) curtain.

On 19th December 1997, James Cameron’s blockbuster Titanic (1997) Link opens in new window premiered at the theatre and went on to rack up a 41-week run at the theatre. Not long after, the theatre was recarpeted and reseated to a new capacity of 1,341.

In April 2010 the theatre was leased to Regency Theatres Link opens in new window in deal which included a lease on the Bruin Theatre just across the street.

In early 2023 the theatre was offered up for sale Link opens in new window. Regency’s lease had been due to expire in July 2023, however as of August 2023 they were still operating the theatre. In early 2024 it was reported Link opens in new window that Jason Reitman, director of Juno (2007) Link opens in new window and Thank You for Smoking (2005) Link opens in new window, along with his investment group, bought the theatre for $12 million. As of February 2024 their plans for the theatre are unclear.

Movie, TV & Music Video Appearances

Movies

Listed/Landmark Building Status

How do I visit Regency’s Village Theatre?

The theatre does not offer tours however is opening almost 365 days per year screening first-run movies in 35mm, 70mm, or digital. You can check out their schedule and purchase tickets here Link opens in new window.

Further Reading

Online

Historic Photos & Documents
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Photos of Regency’s Village Theatre

Jump to Photo Section:

  1. Auditorium: Orchestra
  2. Auditorium: Balcony
  3. Public Areas
  4. Exterior
  5. Tower
  6. Projection Booth
  7. Backstage
Auditorium: Orchestra

The auditorium originally seated 1,489 on two levels. The 1951 Skouras renovation increased seating capacity to 1,535. The late 1990’s refurbishment completely reseated the two levels with a combined total of 1,341 seats.

Auditorium: Balcony

The auditorium originally seated 1,489 on two levels. The 1951 Skouras renovation increased seating capacity to 1,535. The late 1990’s refurbishment completely reseated the two levels with a combined total of 1,341 seats.

Public Areas

The theatre’s lobby originally featured a detailed Spanish Mission design including faux wooden rafters, draperies, old Spanish furniture, and other accoutrements to help set the mood. In the 1950’s the lobby was modernized. The semi-circular archies were retained, however clutter was removed and the California Gold Rush artwork was added in the space between entrances to the restrooms.

Exterior

The exterior of the theatre has remained virtually unchanged since its debut as a landmark in the new Westwood Village in the early 1930’s.

Tower

The theatre’s defining feature is its iconic 170ft (52m) white Spanish “wedding cake” tower. At the top of the tower is a blue and gold (the UCLA colors) metal Art Deco “Fox” sign, renovated in the late 1980s and which still lights up the top of the tower to this day. Just over halfway up the tower are winged lion (griffin) sculptures which sit at the base of projecting iconic columns. At the base of the tower, just above the entrance, is a blue and gold sign which bears the legend “Fox Westwood Village”. By night the elegant white tower literally becomes a beacon with its signs and the shaft of the tower illuminated. Perched atop the corners of the building stand carved griffins.

Projection Booth

The Projection Booth is equipped for 35mm, 70mm, and digital projection. Some of the projectors are mounted on horizontal runners to allow them to be slid to the side for temporary installations without altering their calibrations.

Backstage

The stage of the theatre was never intended for anything more than walk-ups and introductions. No fly space was provided and the depth of the stage was minimal, thus increasing seating capacity in the auditorium.



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