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Mike’s interest in technical theatre was ignited by his father’s role as Stage Manager with the critically-acclaimed Gilbert & Sullivan Society of Edinburgh 
, staging annual shows at Edinburgh’s historic Edwardian-era King’s Theatre.
Yearly trips to see the King’s pantomime, featuring Scottish legends such as Stanley Baxter, Una McLean, Russell Hunter, Allan Stewart, Jimmy Logan, Rikki Fulton, Walter Carr, and Johnny Beattie, always included a backstage visit after the show to meet the cast and to see the set, scenery painting, props, lighting, and special effects from the other side of the curtain. All this firmly fixed Mike on a path to pursue his interest in theatrical lighting design, set construction, and production management.
Through his relationship with the staff at the King’s Theatre Mike was introduced to renowned UK lighting designer Francis Reid, and sat-in on his stage lighting plotting sessions for several pantomimes, furthering Mike’s interest in a career in technical theatre.
Mike won a place on Scottish Youth Theatre’s summer school of 1991, and over the following years as a Scottish Youth Theatre (SYT) alumnus lit several productions for both SYT and XSYT Productions, the latter being an offshoot of SYT producing shows with SYT alumni.
Projects from the SYT connection included lighting productions for actors such as Brian Cox , Blythe Duff , and Colin McCredie , in addition to XSYT being invited to take a show to Stratford-upon-Avon as part of the Antigones Project in 1992, with Mike designing lighting for the critically acclaimed Royal Shakespeare Company .
In the mid-1990s Mike worked multiple summer seasons with the National Youth Music Theatre (NYMT) both at the Edinburgh Festival Fringe and in the prestigious Edinburgh Festival Theatre, featuring the largest stage in the UK at the time, for NYMT’s flagship production Pendragon, filmed by the BBC.
As a direct result of his involvement with XSYT and lighting shows in Stratford-upon-Avon, in the late 1990s Mike was contracted to light a pre West End production of Jesus, My Boy starring renowned UK actor Tom Conti . Mike’s lighting and stage projection designs were carried-over to the limited run in London’s West End (December 1998 to February 1999) at the Apollo Theatre.
In the 2000s Mike continued to light productions for leading theatre companies in Edinburgh, and for many years was Production Manager for the Gilbert & Sullivan Society of Edinburgh in addition to co-designing their sets.
Since 2010 Mike has been based in Los Angeles as a C-level IT professional with over 25 years’ experience in the financial and legal services industries, working in Australia, North America, the UK, and Europe.
After a period spent advising IT startups on the U.S. West Coast, Mike became the Chief Information Officer (CIO) for KCC , a highly-respected legal services company based in Los Angeles. You can read more about Mike’s corporate career on LinkedIn .
Mike earned his Honours degree in Computer Science from Edinburgh’s Heriot-Watt University , is recognized as a Chartered IT Professional by the UK Engineering Council , and has the distinction of being a Fellow of the British Computer Society .
Mike has served as a photographer and docent (tour guide) with the Los Angeles Historic Theatre Foundation (LAHTF) since 2016, and in January 2018 became a Director on LAHTF’s Board, allowing him to play an integral part in preserving and protecting Los Angeles County’s historic theatres for future generations.
Projects with LAHTF have included oversight and consulting on the renovation and restoration of the Apple Tower Theatre and Netflix’s Egyptian Theatre . You can read more about the LAHTF Board here on their website .
Mike is a regular event photographer for, and Supporting Member of, the Los Angeles Conservancy , the largest membership-based historic preservation organization in the United States. His photography for the Conservancy has been published at both local and national levels, including feature photos in the playbill for the Shakespeare Center of Los Angeles’ production of “Henry IV” in June/July 2018 starring Tom Hanks and Hamish Linklater .
In addition to his background in technical theatre and stage design, Mike is passionate about historic theatres and architectural photography. You can view some of Mike’s favorite non-theatrical photography over on Flickr or at photos.mikehume.com .
Mike has conducted extensive research into the Atmospheric theatre style , a theatrical interior design style which was popularized in 1920s theatres in the United States. Simply put, Atmospheric theatres were designed to evoke the sense of being transported to a far-off exotic outdoor location. The most popular styles were Spanish and Italian, however the Atmospheric theatre style includes theatres designed to look like Mesoamerican temples, Japanese tea gardens, Medieval castles, and even a Dutch village complete with working windmills!
Mike partnered with the Los Angeles Historic Theatre Foundation to create an 80-minute video documentary about Atmospheric theatres across the United States and the rest of the world. The documentary has been replayed numerous times including for Center Theatre Group staff in Los Angeles, and as a special co-presentation with the UK-based Cinema Theatre Association .
You can read more about Mike’s research into the Atmospheric theatre style on his dedicated Atmospherics micro-site.
After first visiting Chicago for a three-month work assignment in the Summer of 2000, Mike spent two years in the U.S. Northeast working in Boston and then New York, from 2005 to 2007.
To build upon those experiences, and following a three-year stint based in Bristol, UK, Mike negotiated another work assignment in Los Angeles starting in 2010, which led to regular time spent in San Francisco as well.
Following multiple visa extensions – then a green card – Mike was incredibly proud to be awarded with American citizenship in late 2019, at a ceremony which took place at an historic theatre: the Pasadena Civic Auditorium.
Mike has combined his passions of theatre, photography, history, research, and preservation into this website: Historic Theatre Photos. In addition to this website, Historic Theatre Photos is also on Instagram and Facebook .
You can view a complete archive of all Mike’s theatre and event photography work at theatre.mikehume.com . In addition, Mike is a keen motorcycle rider and has owned several sports bikes; you can read more about that here .
Mike has served on the Board of the Los Angeles Historic Theatre Foundation (LAHTF) since 2018, having started volunteering for the organization in 2016 at an event at the historic Wiltern Theatre. LAHTF is a non-profit, tax exempt, membership and volunteer-powered organization whose mission is to protect, preserve, restore, and sustain historic theatres throughout Los Angeles County; a population of roughly 10 million with access to a multitude of historic theatres spread throughout more than 85 separate cities. By virtue of his LAHTF Board position Mike is also an active member of the League of Historic American Theatres (LHAT) .
Mike is also a Supporting Member of the Los Angeles Conservancy , the largest membership-based historic preservation organization in the United States, and photographs many of their events including the Conservancy’s hugely popular Last Remaining Seats series since 2017, and their annual Preservation Awards .
Mike is also a proud member of the Theatre Historical Society of America (THS) and the United States Institute for Theatre Technology (USITT) , in addition to UK organizations the Cinema Theatre Association and the Frank Matcham Society .
In the corporate world, Mike has been recognized as a Fellow of the British Computer Society and holds Chartered Engineer status with the British Engineering Council .
Photographs copyright © 2002-2024 Mike Hume / Historic Theatre Photos unless otherwise noted.
Text copyright © 2017-2024 Mike Hume / Historic Theatre Photos.
For photograph licensing and/or re-use contact me here .
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